It’s been an interesting week. I went to the lakefront Wednesday morning because it was the only day of guaranteed sunshine, before the snowstorm. It was cold but clear, making for a dramatic sunrise.
The reflection of the sun on the water in the harbor made interesting patterns…
as the ice floes started to settle in.
I startled some Common Mergansers hanging out in the open water.
But did not seem to bother this female fishing close to shore.
By Thursday afternoon when I looked out from the 42nd floor onto the lakefront there was only a rugged sheet of ice (sorry, no picture).
The Snow came on Friday, about 8 inches of it by Saturday morning, making the weekend a winter wonderland. This male cardinal caught me taking pictures of him through the porch window yesterday.
Male Northern Cardinal
I had all the feeders out and the yard was a very popular place. I counted 30 House Finches. Unfortunately by the time I went out in the yard everyone left, except for this sleeping female House Sparrow on the wire.
sleeping Female House Sparrow
Today there was no sunlight so I stayed indoors, eventually focusing on this Mourning Dove.
Mourning Dove on the feeder pole
The female cardinal was in the yard today. I finally managed to capture her here.
Female Northern Cardinal
And now for your listening pleasure, I’ve gone back in taped time to about nine or ten years ago when I was learning the Mozart K 333 in B-flat Major. First, a little sample of Hidalgo the Spice Finch coming in exactly in time with the music, not exactly on his first try but very quickly on his second, as he knows what’s coming (toward the end of a few bars in the first movement).
And then if you’re game for a longer recording, I was practicing the Adagio, which starts off with a lot of zebra finch calls, then Fabrizio, the granddaddy, who is barely singing these days, so it’s nice to hear him when he was young and feisty. He is joined briefly by his first hatched male offspring, Facondo, whose name means something like “squeaky” in Italian, if I can believe the translation I got trying to make up the word-name. At the time I didn’t realize these guys were actually singing complex songs. If you can stand to listen to the entire fumbled adagio with the repeats you’ll also hear some bright spice finch whistles, a little spice finch singing, and toward the end some trills from the male budgie of record (I can’t say for sure if Zeke had come on board yet but I think this might be him); he’s very trilly indeed. And the whole thing ends with one “mwa mwa” from Hidalgo. It was a very lively session, when at the time I had only a few birds. I played piano a lot earlier in those days, too. Now I don’t get around to practicing on the weekends until noon; by then half the birds are napping.
On my way to Wherever this weekend I grabbed a couple older tapes to listen to in the car, just to see what was going on at the time. No, I’m not kidding, my car is that old. And the tape player is on the fritz but every once in a while if I’m not going too fast I can listen to a tape if I crank the volume all the way up.
I had previously labeled the tapes notable for the vocalizations of the original male budgie Pete, a beautiful little green and yellow guy, the adopted bird who came with Blanche. When these recordings were made, I had only the two budgies, Pete and Blanche, maybe five or eight (by then) zebra finches, Fabrizio and Serafina being the originals, and the two original Spice Finches, Hidalgo and Sam, and Jules and Sophia, the two females I got when Sam turned out to be a male. I wasn’t sure of Jules so I gave her a name that could go either way. But that’s another story for a later post.
Hidalgo, the Caruso of Spice Finches, was on both tapes, and it’s probably his fault that I wasn’t listening to Pete the budgie when I played them in the car. I wonder if perhaps I have heard so many budgies since him I don’t have an ear for listening anymore. But when I listened back through headphones while trying to make clips from these tapes, I realized he sounds entirely different from the budgies that have all grown up in the house and are related to Zeke, the gray-blue budgie who still lives.
I play a little game with myself sometimes, when I’m in the kitchen and a budgie flies in, I don’t turn around to see who it is before I try to guess based on the sound of the patter. I’m right about 99% of the time, and I don’t know how I do it. If you asked me to tell you the difference between one budgie’s song and another’s, I couldn’t do it. But something in the pattern must be different enough that I recognize it, albeit unconsciously. Such is the thing with Pete’s song. The sounds are familiar, but the cadence is different. And I remember distinctly that after he died and Blanche was left alone, she sat around and sang his songs as if to recreate his presence, a fitting eulogy for her old friend. That was before she gave me the “If you think I’m going to sit here alone and be amused by these finches laying eggs and having babies, you’ve got another thing coming” ultimatum, which sent me to the pet store for Another Budgie.
So this clip has a couple of solos by Hidalgo and then Pete is singing with an almost passable version of the Adagio to Mozart’s C Major Sonata K 310, until I flub the very end of it. There are contributions from a zebra finch or two. I suspect the zebra finch songs have gained differentiation and complexity over the years. I’m sorry I did not keep a detailed family tree; I don’t think I was aware I was running an experiment until years after it started. I know I didn’t pay attention to the zebra finch songs until long after I noticed they were all different. I hope after I identify all the zebra finch songs I can make more sense out of their progression.
At any rate it seems I was still practicing the Goldberg, and it had to have been a once-a-week run-through at the time, so a haphazard rendition of the aria and the first few variations appears here until the phone rings. I did go back to playing but it was hard for us all to get back in the groove after the interruption; in particular we lost Pete. Here Pete adds constant comment and Hidalgo throws in his two cents among several zebra finch vocals. Note how Hidalgo always sings his long “mwah mwah” notes in key with the music.
I’m determined to read David Rothenberg’s Why Birds Sing soon – I’ve have had the book for years but have put off reading it, probably because I was dismayed by the idea that he had written and published about playing music with birds before I did, even though it appears we both started the playing for the birds about the same time. Not only am I a slow reader, I don’t have much time to read lately, but I’m eager to see how and if he answers the question. So far I have read only his preface, which muses about predictable answers.
Do I have an answer to the question? Not entirely, but I can surmise why Zebra Finches sing, at least in my house, as I’ve mused about this for years. The zebra finch males tend to sing – and I’m talking about their little individual songs, as opposed to any calls or other proclamations they might utter – an awful lot more than any of the other birds, even including Ferdinand, my Society Finch, who sings quite a bit.
First of all, there seems to be a protocol for soloists in general: you don’t sing until the other Zebra Finch is done with his song. The only time I can remember this rule being broken was when Fernando and his son Adolfo sang duets in the kitchen.
Of course the males start out perfecting a song to sing to females so as to attract them. But there are all those other occasions, which usually seem to simply announce one’s presence or one’s intention to do a particular thing. Maybe it could be simplified into a territorial proclamation; there are little territorial wars going on in the house from time to time, but generally it seems just more proclamatory – I’m here, and I’m announcing myself, and I’m feeling good about it.
Here’s a little clip of Beniamino singing against a background of noisy budgies and Bach’s C Minor Partita. When he first started singing his song it sounded like “boom-shoka-laka-laka” to me and I used to dance around the house to it, which he hated. That could be why now he has refined his song down to “ta-ta, tata, I’m Beniamino.”
Gregorio is back in fine form, and I managed to take a short video of him this morning as he was singing in the environs of the dining room. He’s more than a little self-conscious, however. Even though the camera is small, the birds still detect the attention being paid to them and depending on the species and the level of domestication, they tolerate the attention to a certain degree. For instance, the spice finches are most sensitive to my attention and they scatter almost immediately.
There’s this phenomenon of having the feeling that someone is staring at the back of your head, and it makes you turn around to see who’s watching you. I think birds have this sense to the nth degree. They have developed and nurtured this awareness over the millennia, the reason being that their survival depends on it. Rupert Sheldrake has written about the feeling, and says photographers have said they suspect animals they photograph in the wild are aware of their attention. My experience behind the lens concurs, but I think these photographers are talking about taking pictures from behind a blind.
I connect with my birds telepathically because I know them intimately, but I also think a similar aura occurs now and then with strange birds in the wild. When I am able to cross the threshold between the bird’s caution and avoidance of my attention to the bird’s curiosity about my interest in it, then a different type of communication occurs. But at the outset, even my indoor crowd, as well as they know me, respond with suspicion when I single out any one of them: it’s ingrained in their makeup. Often one bird’s alert response is enough to make all the birds nervous. These feelings are also ingrained, if to a lesser degree, in our makeup too.
Zorro the Zebra Finch is the only one of my little guys who got his name by association with another finch, and not by the character of his song. Indeed his song eluded me for a long time, until maybe about a year ago I started to get the gist of it. I’m sure he’s honed it down and it has matured over time, but I also think like acquiring a taste for a new style of music, I was paying more attention to it.
Zorro was a solo finch in that he had no siblings, so for company he started hanging out with his Aunt Zelda. I don’t know if she was really his aunt, but she was probably old enough to be. Zelda was the only female Zebra Finch I ever named outside of Serafina who was the original hen, because after that the females all started to look the same, had no distinguishing vocalizations, and I had no way to keep them straight, so the girls remained anonymous. But Zelda stood apart because of the skin disease or whatever it was that caused all the feathers on her head to finally disappear. Her condition made her kind of a loner and she probably had other symptoms as well that I couldn’t see or diagnose, as I kept expecting her to die. But she was a hearty little soul who outlived my expectations and she showered attention on the little guy I started calling Zorro. He was faithful to her and hung with her as he grew up, defending her in her final days.
Zelda the Zebra Finch
Maybe one consequence of Zorro’s hanging out with Zelda was that it affected his song development. For the longest time his song sounded immature to me, like a little subsong that never grew up, or stuttered. Upon first listening you might think he still sounds that way, but I have been able to detect more of a pattern to it, and there seems to be a little hurried musical phrase that rushes into the chorus which he then repeats over and over. It’s not easy to write out. “Ta ta TA ta, ta-TAH, ta ta TA ta, ta-TAH” is the rhythm I hear. I have absolutely no idea what I could have named this bird if I had to come up with a name based on his song!
What’s interesting to me about this excerpt is that while Zorro is singing along with the Bach in the prelude, he pauses when the key varies from C major, waits and comes back in when it’s in C. He gets impatient though in the fugue and starts singing when it’s not in C, so I don’t think C is the only key he can sing in, but it was the one he had decided upon to convey his mood.
Many more individual Zebra Finch males’ songs will come as I ferret them out of the tapes.
When I got home last Sunday night, after unpacking just enough, the birds were all chattering busily as usual, welcoming me, I guess. At some point doing my chores, I stopped for a moment and remembered Gregorio, but before I could say his name he started singing an extra long version of his song, repeating and repeating, “Gregorio, Gregorio, Gregorio…” I could have had no better welcome.
I haven’t dared write about Gregorio’s trials until I was sure of a happy ending.
Backtrack a few weeks before I went to Ohio: on a beautiful Saturday I was out working in the yard. After a couple hours I went back in the house. There, in the kitchen sink, was a fallen moth trap with a bird stuck in it. A zebra finch male, to be exact. I was horrified, and I felt terrible, because I should have known better than to put moth traps in the kitchen. But I had been getting so tired of the Indian flour moths, I stuck a couple traps on top of the crowded little shelves that jut out over the sink, thinking the birds were too busy elsewhere to get into it, or just relaxed with the thought that the birds have lived in the house for so long with few mishaps, I stopped paying attention to the fact that just in the past few days the zebra finches were starting to explore regions they had ignored for ages.
Zebra Finches on top of the kitchen cupboard
I was just too distracted, lackadaisical, thoughtless to make the connection.
and checking out the inside...
So there he was, my little finch, alive but very still, stuck in the trap, having lost a lot of feathers due to struggling with the adhesive. I reached in and pulled him out as gently as possible. A few of his remaining secondary feathers were stuck together so I washed him gently under warm running water and dried him in a towel. What to do with him? I couldn’t release him, because he wouldn’t be able to fly around high enough to reach the middle door of any one of the finch cages, which is essential if a bird is going to eat in this house. The only solution was to incarcerate him temporarily. And he would have to grow some feathers before my trip, because I didn’t want to add yet another cage to the burden for my bird care person. I had no idea how long it would take for him to grow back his feathers. Right now all I could be concerned about was his survival. (By the way, I could not bring myself to take pictures of him in his worst state.)
I put him inside one of the finch cages temporarily and closed the door while I went down to the basement to find the infirmary. It’s a dumb little cage that I picked up years ago for not a lot of money, and whenever I have a bird to isolate from the rest, I use it. I started thinking about preparing an extra little breakfast tray every morning. I found a water dish and a few accoutrements to make the cage as homey as possible. I knew he would hate being confined, but there was no other option.
When I had the cage ready, I stuck my little bald creature inside and started to look for a place to put the cage, out of the way, perhaps, in the dining room. No, no, no! was the reaction I got from my little prisoner. He vehemently objected to being away from the action, hopping up and down and throwing himself against the sides of the cage, so I set him on top of the coffee table in the middle of the living room, where he could see and hear all the other birds and vice versa. Looking back, I realize that was already a good indicator that he was going to fight his predicament and overcome it.
It wasn’t until maybe the middle of the next day that I figured out it was Gregorio, when I had taken inventory of the other male zebra finch’s songs and he was the only one not singing. Poor little Gregorio. I felt even worse: the past week almost every tape I listened to, Gregorio was singing on it, and I thought I had grown tired of hearing him. Now I didn’t know if I’d ever hear him sing again.
The first few days were extremely awkward. A couple times he hopped out of the cage past my hand when the door was open while I was changing this or that other dish, only to flop down to the floor, where I’d catch him easily. Once he was a little harder to catch, underneath the butcher block island in the kitchen, but I scooted him out and picked him up. He finally got the idea that he couldn’t fly and became somewhat resigned to his fate. I was afraid he wasn’t eating well either, seeming to eat only spray millet, and I lectured him about eating better if he wanted to grow back his feathers. Eat your vegetables! I have a feeling spray millet is like dessert for birds, but even if that was all he was eating I didn’t have the resolve to remove it from the cage to force him to eat something else. It must have been comfort food too.
I don’t think it was quite a week when I heard him vocalize for the first time. He wasn’t singing yet but he was calling. That was encouraging. He was growing little fluffy feathers around his head. I couldn’t tell what was happening with his other feathers; he had lost most of his primaries and secondaries on one wing, and I knew he had a lot of contour feathers to grow back as well. Then one afternoon when I was sitting writing on the futon, his cage right next to me on the coffee table, he sang a little. “Gregorio, Gregorio.” I knew he was on the mend!
A few days before I wanted to release him, calculating his release date was going be five days before I left for Ohio, I had his cage perched on the kitchen counter where I took him every morning and evening to clean and refill things, and I explained I wanted to make sure he could fly high enough to get into a finch cage to eat and that was why he was still locked up. As if to challenge my protective caution, he flung himself all the way up to the top of his little cage. Look at me, I can fly this high, I can reach the cage door. Patience, my little man, patience. It’s only a few days, and we’ll let you out.
Gregorio was eating more of his food, and the fuzz on his head was filling in. Saturday came, and I set him up with his breakfast just in case he had to return to the cage. I put the cage on the coffee table and opened the door. Within seconds he was out. He first tried flying all the way up to a curtain rod and fell down to the floor, disgusted he didn’t make it. But as soon as I thought he might be able to break up his flight into stages, he did exactly that, landing on top of a cage, and then eventually making his way to the curtain rod. You know what they say about great minds thinking alike…
Gregorio upon release
It wasn’t until then that I took a few pictures of him.
bald but brave
When I saw him eating spray millet inside a cage, I knew he was going to be all right.
Gregorio inside a regular finch cage
One time I looked up and he was snuggling with a Society Finch. Another time I saw him paired up with another male zebra finch, which is how it’s gotten to be in this house with only one female zebra finch left, so the guys choose partners, not for sex but for companionship, and it’s really a nice thing to see. I hadn’t been worried about the other birds picking on him, but it was yet another reason to incarcerate him until he got back on his wings.
Well here we are now and I barely recognize him. He still looks a little flat-headed and his tail feathers are a little stiff, but he’s zipping around with all the other birds, up to his old mischievous ways, and needless to say I don’t have any moth traps anywhere the birds can get to.
All the while as I was writing this Gregorio was singing his song. He knows I’m writing about him, and I’m sure he’s trying to add his two cents. He just started up again. Gregorio, Gregor, Gregorio, Gregor…
I have found recordings over the last few days of some of my zebra finch’s songs. When I heard my first zebra finch, Fabrizio, sing, it didn’t sound like much of a song to me and I thought to myself, how do those who research zebra finch song stand the sound of a zebra finch? It’s nasal, sharp and somewhat tinny. My thought was researchers could find better sounding candidates. But now that I’ve been through several generations, I see the advantage to studying zebra finches: they’re incredibly prolific.
Indeed the intricacies of Fabrizio’s song and its legacy for subsequent generations did not surface until long after he and Serafina started reproducing. His first male offspring, Facondo, did not have a very memorable song and I was still not prepared to listen. But subsequent males began to intrigue me, and then I began to keep track of each bird’s song. To memorize the song and put the right song with the right bird, I gave each bird an Italian name that fit his song.
An interesting thing about zebra finch song, once you get used to the sound of it, is it’s syncopation. The rhythms they produce are pronounced and intricate.
So I learned to appreciate Fabrizio’s song through his progeny. I wrote down their songs as each one matured. Then one day I realized I had never written down Fabrizio’s song. I was sitting on the couch with my staff paper on the coffee table and a pen, and just as I started to write, Fabrizio landed right on the coffee table with an emphatic thump, and started singing loudly. He wanted to get my attention, and to remind me that I always got the first phrase of his song incorrectly (as I sometimes sing a bird’s song after he does, as I’m wandering through the house). I thanked Fabrizio for the correction and wrote his song down as he sang it, and tried to never make that mistake again.
So here’s Fabrizio singing his own song (the picture below is Fabrizio in his prime), and I’ve also added Adolfo and Vincenzo. The recordings are excerpts with the birds singing and the other links are to their songs written out as music. Enjoy! More to come in future posts.
